Louise Ear Trumpet Labs
€743.00
Tax included
Shipped in 24/48hrs
Large-diaphragm condenser microphone spring-suspended in a pivoting slim stainless steel ring. Tuned for live performance use, ideal for micing small acoustic ensembles. The new classic bluegrass mic.
Louise has the clarity, gain, feedback resistance, and full, natural frequency response to change the game when it comes to live single-mic situations. She has a pleasing high end with no harshness, and a sound that performers, audiences, and engineers all describe as astonishingly natural.
She can also bring that winning sound into the studio, capturing vocals and acoustic instruments with straightforward clarity.
FEATURES
- Hand-made microphone with unique appearance
- Integral silk and foam pop filter, for effective control of plosives without loss of clarity
- Transformerless FET fully balanced electronics
- Highest quality hand-wired electronic components - film caps, precision resistors, hand tested and matched transistors, with component values tuned for the individual circuit.
SUGGESTED APPLICATIONS
Ideal for single-miking a small acoustic ensemble, including acoustic instruments and multiple vocalists, on stage or in studio.
NOTABLE USERS
Jason Mraz, Jerry Douglas and the Earls of Leicester, Barefoot Movement, Darlingside, Quebe Sisters
- TRANSDUCER TYPE:condenser, large (26 mm) diaphragm
- POLAR PATTERN: cardioid
- FREQUENCY RESPONSE: 20 - 17K hz (-3dB)
- SENSITIVITY: -38.8dB (11 mV/Pa)
- OUTPUT IMPEDANCE: <50 Ohm
- NOISE LEVEL (A-weighted): <17 dBA
- POWER REQUIREMENT: +48V phantom power
- WEIGHT: 1 lb (6.1 lbs cased)
- DIMENSIONS: 12” x 6 1/2” x 3”; head is 3” in diameter
- SKU: ETL-LOUISE
- View product info with polar pattern & frequency plot
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Large-diaphragm condenser microphone spring-suspended in a pivoting slim stainless steel ring. Tuned for live performance use, ideal for micing small acoustic ensembles. The new classic bluegrass mic.
Louise has the clarity, gain, feedback resistance, and full, natural frequency response to change the game when it comes to live single-mic situations. She has a pleasing high end with no harshness, and a sound that performers, audiences, and engineers all describe as astonishingly natural.
She can also bring that winning sound into the studio, capturing vocals and acoustic instruments with straightforward clarity.