Myrtle Ear Trumpet Labs
€790.00
Tax included
Shipped in 24/48hrs
Large-diaphragm condenser microphone with spring-suspended retro styling. Ideal for live vocal performance use, or single-micing small acoustic ensembles.
Myrtle has the most classic vintage styling of any of our mics, with a design pedigree straight from the 1930s. Her sound, however, is a wonder of modern acoustic design that thrives in current stage environments. She takes the warm, detailed sound and astonishing feedback rejection of Edwina, and adds a low end tuned for accurately capturing acoustic instruments from any distance. Her sweet spot extends from 6 inches out. And she has the low noise and natural clarity to work wonderfully in the studio as well.
FEATURES
Hand-made microphone with unique appearance
Internal shock dampers for minimal handling noise
Integral silk and mesh pop filter, for effective control of plosives without loss of clarity
Transformerless FET fully balanced electronics
Highest quality hand-wired electronic components - film caps, precision resistors, hand tested and matched transistors, with component values tuned for the individual circuit.
SUGGESTED APPLICATIONS
Ideal for single-miking soloists or small acoustic ensembles, including acoustic instruments and multiple vocalists, on stage or in studio.
NOTABLE USERS
Del McCoury Band*, Brandi Carlile, The Wood Brothers, Mandolin Orange*, Christopher Paul Stelling, Rob Ickes & Trey Hensley, Wood and Wire
TECHNICAL SPECS:
TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
POLAR PATTERN: cardioid
FREQUENCY RESPONSE: 20 - 15K hz (-3dB)
SENSITIVITY: -38.6dB (12 mV/Pa)
OUTPUT IMPEDANCE: <50 Ohm
NOISE LEVEL (A-weighted): <17 dBA
POWER REQUIREMENT: +48V phantom power
WEIGHT: 1 lb (6.1 lbs cased)
DIMENSIONS: 12” x 6 1/2” x 1 3/4”; head is 3” in diameter
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Large-diaphragm condenser microphone with spring-suspended retro styling. Ideal for live vocal performance use, or single-micing small acoustic ensembles.
Myrtle has the most classic vintage styling of any of our mics, with a design pedigree straight from the 1930s. Her sound, however, is a wonder of modern acoustic design that thrives in current stage environments. She takes the warm, detailed sound and astonishing feedback rejection of Edwina, and adds a low end tuned for accurately capturing acoustic instruments from any distance. Her sweet spot extends from 6 inches out. And she has the low noise and natural clarity to work wonderfully in the studio as well.